This week, Bill’s recent viewing of Tim’s Vermeer inspires a discussion around the technical nature of creating art. If we allow the process to be augmented by technology, at what point is the art in the making and not in the end result? Also, we discuss an interview with Cartier-Bresson and wonder if he would embrace modern changes in photography such as Instagram. Andreas Gursky (Rhein II) is our Photographer of the Week.

Links for this episode:

• Tim's Vermeer on Amazon
  
• Henri Cartier-Bresson: 'There Are No Maybes'
  
• The Online Photographer: My Somber Day Yesterday
  
• Instagram Develops Into Career Path For Photographers - Forbes
  
• Apple announces OS X 10.10 Yosemite with refreshed design, available for free this fall | The Verge
  
• iOS 8 adds third-party access to camera data via an API | iMore
  
• The Death of Film Is Felt Hardest In the City Built on Kodak's Reign
  
• File:Kodak Instamatic 104.jpg - Wikipedia, the free encyclopedia
  
• Leica T review: form minus function | The Verge
  
• Gallery | Julian Wasser's Photographs of the California Dream, and its Underbelly
  
• Manufactured Landscapes - Wikipedia, the free encyclopedia
  
• On Taking Pictures - Community - Google+
  
• Andreas Gursky - Wikipedia, the free encyclopedia
  
• MoMA | The Collection | Andreas Gursky (German, born 1955)
  
• Gursky - Selected Works
  
• Andreas Gursky on artnet
  
• Why is Andreas Gursky's Rhine II the most expensive photograph? - Telegraph
  
• Andreas Gursky on Amazon
  

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