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Bassist and arts administrator Thomas Zera joins us today to share what changed between our first chat years ago and now, including life in the Utah Symphony and the path that led to building his new project, The Sub Pool.
We dig into what The Sub Pool is, why orchestra sub lists so often "run dry," and how a centralized, musician-friendly platform can help personnel managers find the right players, including for rarer instruments and big-repertoire needs. Tom also explains how the service is designed to be low-friction for musicians, what feedback has shaped the early feature set (including faster notifications), and what they're building toward next. Learn more at The Sub Pool, reach Tom at [email protected], and check out his past podcast appearance here.
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Theme music by Eric Hochberg
By Jason HeathBassist and arts administrator Thomas Zera joins us today to share what changed between our first chat years ago and now, including life in the Utah Symphony and the path that led to building his new project, The Sub Pool.
We dig into what The Sub Pool is, why orchestra sub lists so often "run dry," and how a centralized, musician-friendly platform can help personnel managers find the right players, including for rarer instruments and big-repertoire needs. Tom also explains how the service is designed to be low-friction for musicians, what feedback has shaped the early feature set (including faster notifications), and what they're building toward next. Learn more at The Sub Pool, reach Tom at [email protected], and check out his past podcast appearance here.
Connect with DBHQ
Gear used to record this podcast
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg

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