Sergio tells us about a new series of landscapes inspired by last year's fires, and a “painted frame” theme show. They talk about deadlines and overcommitments before getting deep into a “secret project” that Sergio has been working on. They discuss Josh’s painting “Be On The Watch, There Are Ways Out” and the merits of ambiguous narratives. They break down why Jim Carrey is not a good artist, put you on to a neat Kickstarter, Sorolla, color blindness and finish the episode by answering liste