Satisfaction is slippery. Tyler Kline and Marc Mellits trade notes on finishing a piece, cringing at what they’d change, and carrying those fixes into the next work. Mellits lays out his “three thirds” view—composer, performer, audience—arguing that interpretation by great players (and the listeners who complete the circuit) transforms notes on a page into art. Along the way they celebrate how performers can uncover things in a score the composer didn’t know were there.

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