We talk about the challenges of packing museum objects and Poiret’s and Drecoll’s dresses for Jean Epstein’s 1925 film ‘Le Double Amour’. See links below.

How to store a wedding dress, Museum of London (16 September 2013): https://www.youtube.com/watch?v=eHcQug5ZJd4

Jean Epstein (director); Drecoll, Paul Poiret (dresses for Nathalie Lissenko); Pierre Kéfer (décors, executed by Lazare Meerson), Le Double Amour (1925): https://www.imdb.com/title/tt0237181/

Le Double Amour on the Cinémathèque française website:

https://www.cinematheque.fr/henri/film/48362-le-double-amour-jean-epstein-1925/

Cycle Jean Epstein – Le Double Amour, DVD Classik (not dated):

https://www.dvdclassik.com/critique/le-double-amour-epstein

Bernard Boutet de Monvel, Stephen Ongpin Fine Art: https://www.stephenongpin.com/object/805553/0/bernard-boutet-de-monvel-paris-1884; also: https://www.instagram.com/boutet.de.monvel/

Birgit Haase and Adelheid Rasche, ‘Christoph Drecoll: Rediscovering the Viennese Worth’, Costume, Volume 53, Issue 2 (2019): https://www.euppublishing.com/doi/full/10.3366/cost.2019.0120

Textile design by Paul Poiret for Martine, Metropolitan Museum of Art (c. 1919): https://www.metmuseum.org/art/collection/search/487282

Printed cotton, designed by Francis Jourdain, made by Cornille (c. 1925), Lot 233, ‘Étoffes & Costumes Anciens – Papiers Peints’, Couteau-Bégarie & Associés, Paris, Auction (19 February 2021): https://www.coutaubegarie.com/lot/107236/14310881