Pick Me Up, I'm Scared.

127. The Politics of Horror, Part 3!


Listen Later

This week, Madeline and David talk about race and class in the politics of horror movies!

PATREON:

https://www.patreon.com/c/pickmeupimscared

SOURCES:

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2757926/

https://disabilityvisibilityproject.com/2023/10/08/one-of-us-tod-brownings-freaks-disability-culture-and-the-criterion-for-inclusion/

https://www.nyfa.edu/student-resources/how-horror-movies-have-changed-since-their-beginning/

https://www.jstor.org/stable/431308?read-now=1&seq=8#page_scan_tab_contents

https://daily.jstor.org/the-horror/

https://medusacreatives.com/2020/10/31/normal-people-dont-scare-me-a-history-of-ableism-in-the-horror-genre/

https://collider.com/horror-movies-transphobia/

https://wildezine.com/3806/opinion/its-not-about-the-dress-a-brief-history-of-transphobia-in-horror-movies/

https://williamsinstitute.law.ucla.edu/press/transpop-suicide-press-release/

https://cinema.usc.edu/spectator/37.2/5_Miller.pdf

https://www.sceneandheardnu.com/female-victimization-in-horror

https://news.northwestern.edu/stories/2023/03/revealing-horrors-problematic-past-the-black-guy-dies-first/

https://www.frieze.com/article/unmasking-hollywood-horrors-racial-stereotypes

https://baltimorebeat.com/three-decades-later-the-people-under-the-stairs-is-unsubtle-unsung-and-unbelievable/

https://medium.com/@jaredcharles/american-capitalism-the-implications-of-class-and-race-in-horror-9c990639b32f

https://grlmag.com/2022/02/28/the-final-girl-feminist-icon-or-misogynistic-martyr/

https://thefilmsmith.com/2010/03/20/why-arent-we-killing-the-poor/

https://dailydead.com/editorial-jaws-is-a-political-piece-with-some-serious-teeth/

https://www.bfi.org.uk/features/pod-people-legacy-invasion-body-snatchers

https://dainealmaclean.medium.com/the-american-home-invasion-film-and-the-history-of-racial-and-social-exclusion-in-the-pursuit-of-87d02c6f514d

...more
View all episodesView all episodes
Download on the App Store

Pick Me Up, I'm Scared.By Madeline Pendleton and David Roberts