CODING HUMANS

[14] Coding Humans: Dr. Quasar’s Nightmare; Xanadu


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“Good morning, my darling.” 
James wakes up – and to his disbelief – he doesn’t feel any effects from the night before. A soft light seeps in through his eyelids, and everything comes into focus. He then sees a girl sitting at his side, on the bed. She is gently filtering his hair through her slender fingers while gazing into his eyes. She has a look a teenager has when falling in love for the first time. He can immediately sense the passion she has for him, but he isn’t quite alert as of yet. As his brain renders consciousness, he realizes he recognizes her. (It’s Ella. Oh, my sweet Ella.)
Her soft and sweet voice drifts through the air and into his ears, saying, “Happy Birthday, James. How does it feel to be an old man?” with a slightly sarcastic tone. James pushes himself up and rests his back against the headboard. “Old man?” He then, without thinking, instinctively looks into a vanity mirror positioned across from the bed and notices that he looks younger. “Yea, silly. The big two-five. You are twenty-five today! I fixed you some breakfast in bed. Lookie here: Italian Espresso, Cream Cheese Danish, and some freshly picked cherries from the tree out front. They just turned red and ripened overnight. I suppose you’ll be spending the afternoon harvesting them, won’t ya.” James replies with an agreeable smile, reacting again without hesitation. 
“You know me and foraging. We have the fresh butter we just churned in the icebox, right? It needs to be cold to make the pie crust best.” “Of course, sweety. You know I have your back when it comes to cooking. Been waiting for your cherry pie all year!” She then leans forward and presses her lips against his. 
The moment their lips touched, nothing in the world seemed to matter anymore. Wherever or whenever James had been the night before faded from his mind as if it never happened. He begins to feel something he thought he would never feel again. A sensation of purpose and belonging flows through him like an electrical current. 
He embraces Ella, firmly positioning his left arm around her shoulders, and maneuvers his right hand to cusp her bottom. He lifts her up and swings her around, laying her back on the middle of the bed. 
She is wearing nothing but a thin nightgown that loosely covers her body. James can feel her moisture on him. His heart beats as if time is frozen.
He pulls the strap of her nightgown down off her shoulder and then the other, exposing the swell of her breasts. He then pushes the gown down so that it scrunches up around her stomach. He gently grips the garment and moves it up her torso. She intuitively arches her back so he can pull it out from under her. She then puts her arms up in the air so he can completely remove it and expose her naked body. 
The two of them spend the morning making endless love. Eventually, neither of them can conjure up any more bodily fluids, so they kiss one peck at a time until they fall back asleep.
About an hour after napping, James wakes up and gets out of bed. He moves slowly to not disturb Ella. He then takes a moment to appreciate her body. She is lying on her side with white sheets draped partially over her legs and halfway up her chest. He observes the flawless curvature of her back and impeccably formed physique. He thinks to himself that he must have won an interstellar lottery ticket to find himself with her. 
James looks around the room he is in and inspects it. It is a cellar of a small house. There are a few storm windows with step ladders under them. The bed Ella is laying on is an old feather stuffed mattress with buttons sown into it. The buttons make indents every square foot or so, and the bed it rests on is made with a metal frame. The headboard looks like an arch cutout of a jail cell
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CODING HUMANSBy Jonathan David