Patrick Bateman is a hollow predator in Armani. His life is a checklist of perfection with nothing inside. He kills as theater, monologuing about music while swinging an axe, polishing his emptiness with every scream. Annie Wilkes, the “number one fan,” kills not for performance but for devotion. She cripples and cages the people she loves, forcing them to remain in the stories she demands. Bateman represents emptiness, a mask sharpened into violence. Annie represents excess, love twisted into prison. One terrifies because he could be anyone, the polished man at the table next to you. The other terrifies because she could be the caretaker who claims to adore you. When mask and chain clash, who holds the power longer: the predator who kills to feel alive, or the captor who kills to keep you hers?

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