This coffee break continues its discussion about composers hidden signals or messages (Easter Eggs) in their compositions. We take a close look at JS Bach and the Art of the Fugue and listen to his signature name in the piece. We question why he often used the numbers 14 or 41 as another way of identifying him as composer in St. Matthew Passion. Why was the note E so important to this piece? And why does he use the technique of "crossing voices" in the Passion? And what are all the hidden signifiers in his Mass in B minor? All questions will be answered...or at least some.

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