<audio class="wp-audio-shortcode" id="audio-720-27" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://curatingjournal.com/wp-content/uploads/2018/12/queerteori.mp3?_=27" /><a href="https://curatingjournal.com/wp-content/uploads/2018/12/queerteori.mp3">https://curatingjournal.com/wp-content/uploads/2018/12/queerteori.mp3</a></audio>
Historielabbet med Sofia Landström och Karin Annebäck
Teorier: Judith Butler och Cathy J. Cohen
Konstnärer: Claude Cahun, Otsuka Takashi och Zanele Muholi
 
Bild: Zanele Muholi, Faces and Phases, Lerato Dumse<a href="http://archive.stevenson.info/exhibitions/muholi/faces67.html" target="_blank" rel="noopener">, </a>KwaThema<a href="http://archive.stevenson.info/exhibitions/muholi/faces67.html" target="_blank" rel="noopener">, </a>Springs<a href="http://archive.stevenson.info/exhibitions/muholi/faces67.html" target="_blank" rel="noopener">, </a>Johannesburg<a href="http://archive.stevenson.info/exhibitions/muholi/faces67.html" target="_blank" rel="noopener">, </a>2010
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https://curatingjournal.com/wp-content/uploads/2018/12/queerteori.mp3 Historielabbet med Sofia Landström och Karin Annebäck Teorier: Judith Butler och Cathy J. Cohen Konstnärer: Claude Cahun, Otsuka Takashi och Zanele Muholi Bild: Zanele Muholi, Faces and Phases, Lerato Dumse, KwaThema, Springs, Johannesburg, 2010

<a href="https://curatingjournal.com/wp-content/uploads/2018/12/queerteori.mp3" rel="noopener noreferrer">https://curatingjournal.com/wp-content/uploads/2018/12/queerteori.mp3</a>
Historielabbet med Sofia Landström och Karin Annebäck
Teorier: Judith Butler och Cathy J. Cohen
Konstnärer: Claude Cahun, Otsuka Takashi och Zanele Muholi
&nbsp;
Bild: Zanele Muholi, Faces and Phases,&nbsp;Lerato Dumse<a href="http://archive.stevenson.info/exhibitions/muholi/faces67.html" rel="noopener noreferrer">, </a>KwaThema<a href="http://archive.stevenson.info/exhibitions/muholi/faces67.html" rel="noopener noreferrer">, </a>Springs<a href="http://archive.stevenson.info/exhibitions/muholi/faces67.html" rel="noopener noreferrer">, </a>Johannesburg<a href="http://archive.stevenson.info/exhibitions/muholi/faces67.html" rel="noopener noreferrer">, </a>2010

16. Queerteori

Exhibitions are a tool, not the result. Art should open up for a democratic dialog and rethink the ‘ordinary’ exhibition practises. Martha Rosler: “art make difference to a social movement only when it is made in cognizance of those movements.” . Exhibition making can be a model of resistance, a tool and not the result.

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16. Queerteori

16. Queerteori

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