Welcome to another episode of WorkTape, where we continue a nostalgic trip back to 2004, spotlighting the alternative and indie rock albums that defined the era. From The Killers’ explosive debut "Hot Fuss" to Modest Mouse’s hit-filled "Good News for People Who Love Bad News," we explore how these iconic albums shaped the sound of the mid-2000s. We also dive into the darker (yet still “light”) post-punk sounds of Interpol’s "Antics" and the groovy dance-punk beats of Franz Ferdinand’s self-titled release. Join us for an engaging discussion on the influential records that still resonate today, 20 years later!

Episode Highlights:

• Is The Killers’ “Sam’s Town" better than “Hot Fuss?
• Was "Good News for People Who Love Bad News" Modest Mouse’s last good album?
• How did Interpol’s "Antics" differ from their 2002 classic, “Turn on the Bright Lights”?
• How did Franz Ferdinand’s "Take Me Out" define 2000s dance-punk?
• How did The Strokes’ sound influence the alternative and indie landscape of the 2000s?
• Were UK fans better to Kings of Leon than US fans were?