In this episode, we look for options in our closed systems. We begin with a phlegmy, loopy, tinkly opening that heralds the arrival of the inappropriately-titled Nut Brown Maiden. Scott gives props to the amazing Murdervan who saved the Horns from certain doom, but may have had a hand in causing it. William announces that our pinup career is off to a rousing, pinching, scuttling start, if being the poster boys of Happy, Introverted and Dorky is a thing. Naked and Afraid? Why not? Scott has the alphabetized ass for it. Then we both freak-out with a serious discussion of anxiety, depression, options, and regrets which leads to the story of William’s initial Seattle migration and closet-living hermitage and Scott’s recent scheduling struggles that again sees the return of the Murdervan, this time as a mobile work studio that may be more enabling than helpful. Finally, somebody is sending William very bossy notifications. Turns out it is past William, that jerk! Who will win this epic battle of Wills? Then it’s time for Music in Rearview, where the theme is one of musical crushes. Scott’s heart is like a Linda Rondstadt-shaped wheel and he shares both his early-onset empathy and his creative, clinical and very specific pornography solution in the pre-Internet age. For William it was all about Tori Amos who has the power to both move you and serve as an early-warning alarm. Scott wonders what’s up with that log in the woods. William shops for Jewels with his groin. Things get antsy quickly. Everyone take a breath. Everything is okay. Away, bounding boxes!