In Episode #184 of The XS Noize Podcast, host Mark Millar speaks to singer/songwriter and indie-dance pop icon Lisa Moorish about her new album, Divine Chaos. This is Moorish's first new music in 20 years, released on the sister label to Irvine Welsh's Jack Said What imprint.

Lisa wanted to work with a female co-producer on this new album and teamed up with Zoe Devlin Love (Alabama 3). Renowned producer Steve Mac brought an extra dimension to the collection's tougher electronic beats. Together, they have delivered many flavours—from dance-influenced tracks to indie electronica—amalgamating Lisa's varied sounds across the decades.

Lisa Moorish first made her name in music as a teenager when she had a club hit in 1989 with Rock To The Beat, a track written by Detroit techno luminaries Juan Atkins and Kevin Saunderson that fed into the UK's acid house explosion. She went on to work with the likes of Paul Weller and George Michael before being swept up in the Britpop scene and recording vocals on tracks by some of the biggest bands of that era — Oasis, Blur and Ash. She then started her indie electro-punk band, Kill City, in the early noughties, and they were snapped up by music mogul Alan McGee and signed to his new label, Poptones.

In this interview, Lisa discusses the writing and recording of Divine Chaos, duetting with George Michael, the Britpop scene and more.

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Previous XS Noize Podcast guests have included Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Nick Heyward, Steven Wilson, Matt Goss, Billy Nomates, Tom Meighan, Midge Ure, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, The Brand New Heavies, Villagers, and many more.