Drive, was a critical darling when it debuted and also the focus of populist backlash... which in our opinion, was a good thing, because we wouldn't have Refn's Drive otherwise. Matt and Mark concur that underneath it all, this is a character study. As the fable goes, why does the scorpian kill the frog and himself, despite the consequence of mutual destruction? Driver understands it: because it's his nature. The world is gray and as such, there are no pure psychopaths. There is, however, a thirst for redemption and change, stoked by a kernel of empathy that's dying to get it out.

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