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1967 - March: Bob Dylan “Bob Dylan’s Greatest Hits”
One of the greatest songwriters of the 60's, Bob Dylan had released seven solo albums between 1962 and 1966. Bob Dylan's Greatest Hits compiles many of the singles from this period along with some of the songs Dylan wrote for other musicians. The compilation went to number 10 on the Billboard 200 chart, number 3 on the UK album chart, and has been certified five times platinum by the RIAA.
In the summer of 1966, Dylan crashed his motorcycle near his home, and took off time to recover. The record company was anxious to follow up Dylan's successful "Blonde on Blonde" album, but had no new recordings available, and no clarity on how long Dylan would be out of the studio. Thus the decision to release a Greatest Hits album was an easy one for them.
Born Robert Allen Zimmerman in Duluth, Minnesota, the stage name comes from the poet Dylan Thomas. Bob Dylan rose out of the Beatnik coffee houses, and he took inspiration from a wide variety of sources including Woodie Guthrie, Hank Williams, and blues artists like Robert Johnson. He has the unusual distinction of having won a Nobel Prize in Literature.
Wayne takes us through this iconic folk rock compilation album, and friend of the show Greg Lyon joins us in Bruce's absence for this week's podcast.
Positively 4th Street
This non-album single was released in 1965 between the "Highway 61 Revisited" album and the "Blonde on Blonde" album, and reached the top 10 on charts in both the US and the UK. The lyrics are laden with bitterness, as the singer laments the lack of compassion in a person who "has a lot of nerve to say you are my friend." An inspiration for this song could have been the reaction Dylan received from folk artists and fans when he "went electric."
Blowin' in the Wind
While Dylan released this as a single in 1963, the most successful version of this song was the cover by Peter, Paul and Mary in the same year. This well-known protest song asks a number of questions in its lyrics, most focused on issues of peace and freedom. Whether an answer "blowin' in the wind" is obvious or difficult to grasp is left deliberately ambiguous.
The Times They Are a-Changin'
This is the title track to Dylan's 1964 album. It is iconic today as a commentary on society in general and 1960's society in particular. The number of groups that have covered this song is vast, including such diverse names as Joan Baez, the Beach Boys, Bruce Springsteen, Billy Joel, and Burl Ives.
Subterranean Homesick Blues
A number of things make this song famous, from the early video style to the rapid lyric pace, to the inspiration for the name of the domestic terrorist group of the 70's, the Weather Underground ("you don't need a weatherman to know which way the wind blows"). Dylan claims inspiration from Chuck Berry and the scat songs of the 1940's in the creation of this track.
ENTERTAINMENT TRACK:
Sitting There Standing by the Chocolate Watchband (from the motion picture "Riot on the Sunset Strip")
This counterculture movie came out during this time, sporting a soundtrack that may be better than the film itself.
STAFF PICKS:
Detroit City by Tom Jones
Rob starts the staff picks with a slow blues number originally written by Mel Tillis. Jones cover of this country song originally released by Bobby Bare is about being lonely and homesick on the road. Jones' version went to number 27 on the Billboard Hot 100.
I'll Be Doggone by Marvin Gaye
Lynch brings us an upbeat tune which is the first song on which he collaborated with Smokey Robinson. The lyrics tell the singer's girlfriend that if she cheats on him he'll be (dog)gone. This was a big time for the Motown sound.
Can't Help Falling In Love by Elvis Presley
Special guest Greg's staff pick is an iconic ballad by the King. Recorded for the movie "Blue Hawaii" in 1961, it was on the charts in 1962, but has been popular ever since. Elvis was a great inspiration for Greg's life and musicianship.
Action Woman by the Litter
Wayne features an early garage band with a fuzzy feel. It is a good early example of psychedelic music, and chronicles a man's search for a woman of action - a more active girlfriend.
INSTRUMENTAL TRACK:
Music to Watch Girls By by the Bob Crewe Generation
This is a great song title with which to finish off the podcast - or ride in an elevator!
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
View all episodes
By Rob Marbury, Wayne Rowan, Bruce Fricks, John Lynch
4.9
4747 ratings
One of the greatest songwriters of the 60's, Bob Dylan had released seven solo albums between 1962 and 1966. Bob Dylan's Greatest Hits compiles many of the singles from this period along with some of the songs Dylan wrote for other musicians. The compilation went to number 10 on the Billboard 200 chart, number 3 on the UK album chart, and has been certified five times platinum by the RIAA.
In the summer of 1966, Dylan crashed his motorcycle near his home, and took off time to recover. The record company was anxious to follow up Dylan's successful "Blonde on Blonde" album, but had no new recordings available, and no clarity on how long Dylan would be out of the studio. Thus the decision to release a Greatest Hits album was an easy one for them.
Born Robert Allen Zimmerman in Duluth, Minnesota, the stage name comes from the poet Dylan Thomas. Bob Dylan rose out of the Beatnik coffee houses, and he took inspiration from a wide variety of sources including Woodie Guthrie, Hank Williams, and blues artists like Robert Johnson. He has the unusual distinction of having won a Nobel Prize in Literature.
Wayne takes us through this iconic folk rock compilation album, and friend of the show Greg Lyon joins us in Bruce's absence for this week's podcast.
Positively 4th Street
This non-album single was released in 1965 between the "Highway 61 Revisited" album and the "Blonde on Blonde" album, and reached the top 10 on charts in both the US and the UK. The lyrics are laden with bitterness, as the singer laments the lack of compassion in a person who "has a lot of nerve to say you are my friend." An inspiration for this song could have been the reaction Dylan received from folk artists and fans when he "went electric."
Blowin' in the Wind
While Dylan released this as a single in 1963, the most successful version of this song was the cover by Peter, Paul and Mary in the same year. This well-known protest song asks a number of questions in its lyrics, most focused on issues of peace and freedom. Whether an answer "blowin' in the wind" is obvious or difficult to grasp is left deliberately ambiguous.
The Times They Are a-Changin'
This is the title track to Dylan's 1964 album. It is iconic today as a commentary on society in general and 1960's society in particular. The number of groups that have covered this song is vast, including such diverse names as Joan Baez, the Beach Boys, Bruce Springsteen, Billy Joel, and Burl Ives.
Subterranean Homesick Blues
A number of things make this song famous, from the early video style to the rapid lyric pace, to the inspiration for the name of the domestic terrorist group of the 70's, the Weather Underground ("you don't need a weatherman to know which way the wind blows"). Dylan claims inspiration from Chuck Berry and the scat songs of the 1940's in the creation of this track.
ENTERTAINMENT TRACK:
Sitting There Standing by the Chocolate Watchband (from the motion picture "Riot on the Sunset Strip")
This counterculture movie came out during this time, sporting a soundtrack that may be better than the film itself.
STAFF PICKS:
Detroit City by Tom Jones
Rob starts the staff picks with a slow blues number originally written by Mel Tillis. Jones cover of this country song originally released by Bobby Bare is about being lonely and homesick on the road. Jones' version went to number 27 on the Billboard Hot 100.
I'll Be Doggone by Marvin Gaye
Lynch brings us an upbeat tune which is the first song on which he collaborated with Smokey Robinson. The lyrics tell the singer's girlfriend that if she cheats on him he'll be (dog)gone. This was a big time for the Motown sound.
Can't Help Falling In Love by Elvis Presley
Special guest Greg's staff pick is an iconic ballad by the King. Recorded for the movie "Blue Hawaii" in 1961, it was on the charts in 1962, but has been popular ever since. Elvis was a great inspiration for Greg's life and musicianship.
Action Woman by the Litter
Wayne features an early garage band with a fuzzy feel. It is a good early example of psychedelic music, and chronicles a man's search for a woman of action - a more active girlfriend.
INSTRUMENTAL TRACK:
Music to Watch Girls By by the Bob Crewe Generation
This is a great song title with which to finish off the podcast - or ride in an elevator!
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
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