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On the eve of the new millennium, Sofia Coppola's bold debut feature The Virgin Suicides premiered to critical acclaim. We're joined by James Westervelt as we take a look at the way the film uses the aesthetic of 90's independent film to tackle a challenging subject from within the Hollywood system. We also announce a short break before we head into the last two decades of A Century in Cinema.
By Arthur Veenema & Andrew SlaughterOn the eve of the new millennium, Sofia Coppola's bold debut feature The Virgin Suicides premiered to critical acclaim. We're joined by James Westervelt as we take a look at the way the film uses the aesthetic of 90's independent film to tackle a challenging subject from within the Hollywood system. We also announce a short break before we head into the last two decades of A Century in Cinema.