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In this episode, we talk about writing, proofreading, editorial work, and the performative aspect of integrating (and allowing) different languages. We also talk about how to bring in personal narratives that don't necessarily fit into "pure" English.
From the perspective of sound, accents, and recordings, we ask what happens when all languages are broken, when you live between languages.
Angeliki Tzortzakaki (she/her) works as a writer, curator, editor, researcher and occasionally performer, between Athens, Amsterdam and her birthplace Vori in Crete. Her work appears in diverse formats and temporalities and overall looks at (ecofeminist) narratives that wish to defy the nature/culture binary. She is also researching agency, and the ability to speak and act for/within oneself as an individual or collective body. More specifically, she is interested in the mutability of insular landscapes and especially islands; through the 'archipelagic thinking', fiction, the tectonic, movement, ecologies of (self) organizations, friendships, and different forms of labour that Jane Bennet would otherwise call “vibrant matter”.
In this episode, we talk about writing, proofreading, editorial work, and the performative aspect of integrating (and allowing) different languages. We also talk about how to bring in personal narratives that don't necessarily fit into "pure" English.
From the perspective of sound, accents, and recordings, we ask what happens when all languages are broken, when you live between languages.
Angeliki Tzortzakaki (she/her) works as a writer, curator, editor, researcher and occasionally performer, between Athens, Amsterdam and her birthplace Vori in Crete. Her work appears in diverse formats and temporalities and overall looks at (ecofeminist) narratives that wish to defy the nature/culture binary. She is also researching agency, and the ability to speak and act for/within oneself as an individual or collective body. More specifically, she is interested in the mutability of insular landscapes and especially islands; through the 'archipelagic thinking', fiction, the tectonic, movement, ecologies of (self) organizations, friendships, and different forms of labour that Jane Bennet would otherwise call “vibrant matter”.