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2 DAYS TO GO!
Hey, I'm Barrie J Davies, a Welsh street pop surrealism artist based in Brighton, professional creator of colourful nonsense, accidental paint goblin, and a man powered almost entirely by caffeine, neon paint, and the unearned confidence of a seagull that has successfully stolen someone's chips and now believes it's qualified to run a multinational corporation.
Welcome to my podcast. This is a daily podcast, which remains a deeply questionable commitment for somebody who once spent twenty minutes searching for a paintbrush that was in his hand the entire time. There are now more than 334 episodes and, at this point, nobody is entirely sure what the podcast has become. It might be an art podcast, it might be performance art, or it might simply be evidence for a future investigation into what happens when an artist is left unsupervised with a microphone for far too long.
I also have a website packed with paintings, prints, sculptures, exhibitions, and enough colourful chaos to suggest that giving me unlimited access to art supplies was probably a tactical error.
Art isn't a hobby for me; it's a way of life. Some people climb mountains, some people run marathons, and I spend three hours painting a giant pigeon before dedicating another two hours to deciding whether it should be wearing a hat. These are the important creative decisions that keep society functioning.
The studio currently looks as though a children's television programme exploded inside a graffiti tunnel. There is paint on the walls, paint on the floor, paint on clothes specifically chosen to avoid getting paint on them, and somehow paint on the toaster. The toaster has never contributed creatively to any project and remains entirely innocent.
Every morning begins with a sensible plan, but every afternoon ends with me wondering why I'm simultaneously working on three paintings, designing an exhibition, sketching a sculpture, and considering whether a seagull could successfully campaign for public office.
With only two days to go until The Pop Art Panic Party!, the studio has entered a state best described as organised confusion. Paintings are being finished, prints are being prepared, and lists are being written, misplaced, rewritten, and then misplaced again in what has become a highly sophisticated management system.
There are no guests on this podcast, no meaningful silences, and no softly spoken experts discussing the symbolism of triangles while ambient jazz drifts gently through the background. It's just me talking far more often than any reasonable person should. The whole thing has the energy of a supermarket trolley full of spray paint rolling downhill through Brighton while being chased by an angry pigeon demanding creative control.
Every episode is simply whatever escaped my brain before it could be safely contained. One day it's a new painting, the next it's an unnecessarily detailed investigation into why pigeons walk like middle managers attempting to avoid accountability.
If you enjoy creative chaos, colourful artwork, questionable decision-making, and watching a grown man repeatedly buy more paint despite already owning enough paint to redecorate a small country, you'll probably feel right at home.
So come and join the madness. Visit the website, follow the Instagram, and subscribe to the podcast. Just be warned: once you become involved, the glitter eventually finds you. Nobody knows how, nobody knows why, but it always does.
👉 SHOP ART HERE – www.barriejdavies.info
👉 JOIN MY MAILING LIST – eepurl.com/dbIy6PÂ
👉 FOLLOW MY INSTAGRAM – https://www.instagram.com/barriejdaviesÂ
By Barrie J Davies2 DAYS TO GO!
Hey, I'm Barrie J Davies, a Welsh street pop surrealism artist based in Brighton, professional creator of colourful nonsense, accidental paint goblin, and a man powered almost entirely by caffeine, neon paint, and the unearned confidence of a seagull that has successfully stolen someone's chips and now believes it's qualified to run a multinational corporation.
Welcome to my podcast. This is a daily podcast, which remains a deeply questionable commitment for somebody who once spent twenty minutes searching for a paintbrush that was in his hand the entire time. There are now more than 334 episodes and, at this point, nobody is entirely sure what the podcast has become. It might be an art podcast, it might be performance art, or it might simply be evidence for a future investigation into what happens when an artist is left unsupervised with a microphone for far too long.
I also have a website packed with paintings, prints, sculptures, exhibitions, and enough colourful chaos to suggest that giving me unlimited access to art supplies was probably a tactical error.
Art isn't a hobby for me; it's a way of life. Some people climb mountains, some people run marathons, and I spend three hours painting a giant pigeon before dedicating another two hours to deciding whether it should be wearing a hat. These are the important creative decisions that keep society functioning.
The studio currently looks as though a children's television programme exploded inside a graffiti tunnel. There is paint on the walls, paint on the floor, paint on clothes specifically chosen to avoid getting paint on them, and somehow paint on the toaster. The toaster has never contributed creatively to any project and remains entirely innocent.
Every morning begins with a sensible plan, but every afternoon ends with me wondering why I'm simultaneously working on three paintings, designing an exhibition, sketching a sculpture, and considering whether a seagull could successfully campaign for public office.
With only two days to go until The Pop Art Panic Party!, the studio has entered a state best described as organised confusion. Paintings are being finished, prints are being prepared, and lists are being written, misplaced, rewritten, and then misplaced again in what has become a highly sophisticated management system.
There are no guests on this podcast, no meaningful silences, and no softly spoken experts discussing the symbolism of triangles while ambient jazz drifts gently through the background. It's just me talking far more often than any reasonable person should. The whole thing has the energy of a supermarket trolley full of spray paint rolling downhill through Brighton while being chased by an angry pigeon demanding creative control.
Every episode is simply whatever escaped my brain before it could be safely contained. One day it's a new painting, the next it's an unnecessarily detailed investigation into why pigeons walk like middle managers attempting to avoid accountability.
If you enjoy creative chaos, colourful artwork, questionable decision-making, and watching a grown man repeatedly buy more paint despite already owning enough paint to redecorate a small country, you'll probably feel right at home.
So come and join the madness. Visit the website, follow the Instagram, and subscribe to the podcast. Just be warned: once you become involved, the glitter eventually finds you. Nobody knows how, nobody knows why, but it always does.
👉 SHOP ART HERE – www.barriejdavies.info
👉 JOIN MY MAILING LIST – eepurl.com/dbIy6PÂ
👉 FOLLOW MY INSTAGRAM – https://www.instagram.com/barriejdaviesÂ