"Why does it look so weird?" your friend asks. "Dude, it's a famous auteur experimenting with digital cinematography in a feature film," you explain. We have a doozy of an episode today in which we break down two films from 2006 that were shot entirely digitally: Inland Empire and Miami Vice. Will Mai stopped by to talk all things Michael Mann, David Lynch, go-fast boats, and of course, rabbits. Take a step out of the celluloid into the digital with us, as we dive into two landmarks of digital cinematography. Contains spoilers for both films. Note: there is some barking around 14:30. Sammy’s dog thought we were way off base in our discussion of the temporal aspects of Inland Empire and really wanted to chime in.