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Confused about which audio sample rate to choose for your music? Whether you're recording your first track or mastering for Dolby Atmos, knowing the difference between 44.1kHz, 48kHz, and 96kHz is more than technical—it’s essential to how your music sounds and where it ends up.
In this episode of Inside the Mix, mastering engineer and Berklee professor Ian Stewart returns to demystify one of the most misunderstood elements in music production: digital audio sample rates.
We answer common questions like:
Ian explains the Nyquist-Shannon theorem, how aliasing impacts your mix, and why 48kHz is the new practical standard, from YouTube to Bluetooth devices to Dolby Atmos. Plus, we discuss how higher sample rates give your plugins more headroom for harmonic generation and cleaner processing.
Don’t miss this one if you’re serious about choosing the best sample rate for your music. And stay tuned, next episode we dive into dither.
Links mentioned in this episode:
Follow Ian Stewart
Send me a message
Support the show
Ways to connect with Marc:
Listener Feedback Survey - tell me what YOU want in 2026
Radio-ready mixes start here - get the FREE weekly tips
Book your FREE Music Breakthrough Strategy Call
Follow Marc's Socials:
Instagram | YouTube | Synth Music Mastering
Thanks for listening!!
Try Riverside for FREE
By Music Production and Mixing Tips for Beginner Producers and Artists5
1414 ratings
Confused about which audio sample rate to choose for your music? Whether you're recording your first track or mastering for Dolby Atmos, knowing the difference between 44.1kHz, 48kHz, and 96kHz is more than technical—it’s essential to how your music sounds and where it ends up.
In this episode of Inside the Mix, mastering engineer and Berklee professor Ian Stewart returns to demystify one of the most misunderstood elements in music production: digital audio sample rates.
We answer common questions like:
Ian explains the Nyquist-Shannon theorem, how aliasing impacts your mix, and why 48kHz is the new practical standard, from YouTube to Bluetooth devices to Dolby Atmos. Plus, we discuss how higher sample rates give your plugins more headroom for harmonic generation and cleaner processing.
Don’t miss this one if you’re serious about choosing the best sample rate for your music. And stay tuned, next episode we dive into dither.
Links mentioned in this episode:
Follow Ian Stewart
Send me a message
Support the show
Ways to connect with Marc:
Listener Feedback Survey - tell me what YOU want in 2026
Radio-ready mixes start here - get the FREE weekly tips
Book your FREE Music Breakthrough Strategy Call
Follow Marc's Socials:
Instagram | YouTube | Synth Music Mastering
Thanks for listening!!
Try Riverside for FREE

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