This week, we start out talking about how as our creative goals change, our gear needs often change along with them and how the concept of “good enough” is nothing if not fluid. Also, The Next Rembrandt has us wondering how connected to your work do you have to be for it still to be yours? Can machines create art? Or is the human experience a necessary and fundamental component to make art? John Minihan is our Photographer of the Week.

Links for this episode:

• On Taking Pictures - Google+ - Assignment - #travelling
  
• The all new Hasselblad H6D presented by Karl Taylor - YouTube
  
• The Century of the Self - Wikipedia, the free encyclopedia
  
• The Fashion of Art History Reimagined Through Instagram | AnOther
  
• Virtual Reality Is for Artists
  
• Dave Lefner | Linocuts and Paintings by Artist Dave Lefner at Skidmore Contemporary Art | Los Angeles
  
• What people look like after 1, 2, and 3 glasses of wine
  
• The Next Rembrandt
  
• Move Over, Rat Pack and Brat Pack: Here Comes the Snap Pack - NYTimes.com
  
• John Minihan (photographer) - Wikipedia, the free encyclopedia
  
• John Minihan's best photograph: Samuel Beckett | Art and design | The Guardian
  
• ‘You don’t just photograph a man like Samuel Beckett. You offer him something’
  
• John Minihan: Samuel Beckett