Back in the day, the great classical composers were brilliant improvisers. Are they still? Is it even possible? Powered by <a href="https://firstory.me">Firstory Hosting</a> Get full access to Musically Novel at <a href="https://petersaltzman.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4">petersaltzman.substack.com/subscribe</a>

Back in the day, the great classical composers were brilliant improvisers. Are they still? Is it even possible? Powered by Firstory Hosting Get full access to Musically Novel at petersaltzman.substack.com/subscribe

Back in the day, the great classical composers were brilliant improvisers. Are they still? Is it even possible? Powered by <a href="https://firstory.me" rel="noopener noreferrer">Firstory Hosting</a> Get full access to Musically Novel at <a href="https://petersaltzman.substack.com/subscribe?utm_medium=podcast&amp;utm_campaign=CTA_4" rel="noopener noreferrer">petersaltzman.substack.com/subscribe</a>

"#22-Improvising Classical Music: Is That a Thing?"

In "Improvisations on the Ledge," award-winning composer-pianist Peter Saltzman searches for universal truths by stumbling upon them—both with words and music. The basic premise is simple: he improvises on the piano, then talks about what the music tells him. Then makes music about what the talking tells him. Then...well, it goes on like this. Droll, funny, dramatic, musical, short. <a href="https://petersaltzman.substack.com?utm_medium=podcast">petersaltzman.substack.com</a>

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In "Improvisations on the Ledge," award-winning composer-pianist Peter Saltzman searches for universal truths by stumbling upon them—both with words and music. The basic premise is simple: he improvises on the piano, then talks about what the music tells him. Then makes music about what the talking tells him. Then...well, it goes on like this. Droll, funny, dramatic, musical, short. petersaltzman.substack.com

In "Improvisations on the Ledge," award-winning composer-pianist Peter Saltzman searches for universal truths by stumbling upon them—both with words and music. The basic premise is simple: he improvises on the piano, then talks about what the music tells him. Then makes music about what the talking tells him. Then...well, it goes on like this. Droll, funny, dramatic, musical, short. <a href="https://petersaltzman.substack.com?utm_medium=podcast" rel="noopener noreferrer">petersaltzman.substack.com</a>

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"#22-Improvising Classical Music: Is That a Thing?"

"#22-Improvising Classical Music: Is That a Thing?"