You may have never stopped to think about how much the creative process promotes innovative thinking and problem solving skills in the music room. As a music educator, it's important to put on your creative mask first, then you'll have so much more to give to your students. Remember that musical studies are both a science and an art and while students are involved in the creative process, it's about honoring the process over the product or performance. Allowing students time to explore creatively, have input on what they're learning, and giving them a seat at the table is so important to this process. In this episode, we'll explore all of this and so much more. 

Initially a visual artist, Kathryn Patricia Cobbler sees the world through shape and line—a vision that has laid the groundwork for many of her musical creative projects. Kathryn’s current explorations of the loop pedal have led to the development of her workshop/concert, Sound In Living Colour, where she draws connection between the technical use of the paint brush and her viola bow, guiding her listeners through a music inspired painting experience. After switching to music as her artistic path, she would receive degrees in viola performance from Western University (B.M.) and the University of Ottawa (M.M.). Ms. Cobbler has also performed as an orchestral musician, appearing within the Toronto Symphony’s Trans-Siberian Orchestra, Ottawa Symphony Orchestra, and the Ottawa Jazz Orchestra. A native of Windsor, Ontario, she makes her home in Ottawa. She performs on a viola by luthier Sibylle Ruppert and a Boss RC-30 loop pedal. 

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