This week, a couple books about Saul Leiter show that great photography is not always about per pixel sharpness and bright, saturate color. The problem is, when do you know when it is and when it isn’t? Can a photographic style be plotted like a course on a map, or does it only happen in the rear view mirror? Also, video seems to be the “it” factor for much of the photography industry, but is it worth it, when you consider the gear, the time and the ability required to really do it well? Arthur Tress is our Photographer of the Week.

Links for this episode:

• On Taking Pictures - Google+ - Assignment: #panoramic
  
• In No Great Hurry
  
• Saul Leiter: Early Black & White
  
• Diane Arbus: In the Beginning | The Metropolitan Museum of Art
  
• The Met Breuer’s Diane Arbus Exhibition Is a Tour de Force | Village Voice
  
• The Met Breuer - Major Diane Arbus Exhibition photos by Miguel Villalobos - part 2 | A Shaded View On fashion by Diane Pernet
  
• The Fog of War - Wikipedia, the free encyclopedia
  
• John Hurt by Alfred Dunhill - YouTube
  
• Curtis Judd - YouTube
  
• MOST AMAZING DANCE MOVE - "THE LEAN" - with ROBERT HOFFMAN - YouTube
  
• Stephen Shore - Wikipedia, the free encyclopedia
  
• Stephen Shore (@stephen.shore) • Instagram photos and videos
  
• Paul C. Buff - AlienBees DigiBee DB400
  
• Arthur Tress - Wikipedia, the free encyclopedia
  
• Arthur Tress
  
• Tresspassing: American Photographer Arthur Tress on Vimeo
  

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