You can create nearly perfectly executed music in this world—as long as it’s not original. Powered by <a href="https://firstory.me">Firstory Hosting</a> Get full access to Musically Novel at <a href="https://petersaltzman.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4">petersaltzman.substack.com/subscribe</a>

You can create nearly perfectly executed music in this world—as long as it’s not original. Powered by Firstory Hosting Get full access to Musically Novel at petersaltzman.substack.com/subscribe

You can create nearly perfectly executed music in this world—as long as it’s not original. Powered by <a href="https://firstory.me" rel="noopener noreferrer">Firstory Hosting</a> Get full access to Musically Novel at <a href="https://petersaltzman.substack.com/subscribe?utm_medium=podcast&amp;utm_campaign=CTA_4" rel="noopener noreferrer">petersaltzman.substack.com/subscribe</a>

#23: Originality vs. Perfection—Pick Your Poison

In "Improvisations on the Ledge," award-winning composer-pianist Peter Saltzman searches for universal truths by stumbling upon them—both with words and music. The basic premise is simple: he improvises on the piano, then talks about what the music tells him. Then makes music about what the talking tells him. Then...well, it goes on like this. Droll, funny, dramatic, musical, short. <a href="https://petersaltzman.substack.com?utm_medium=podcast">petersaltzman.substack.com</a>

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In "Improvisations on the Ledge," award-winning composer-pianist Peter Saltzman searches for universal truths by stumbling upon them—both with words and music. The basic premise is simple: he improvises on the piano, then talks about what the music tells him. Then makes music about what the talking tells him. Then...well, it goes on like this. Droll, funny, dramatic, musical, short. petersaltzman.substack.com

In "Improvisations on the Ledge," award-winning composer-pianist Peter Saltzman searches for universal truths by stumbling upon them—both with words and music. The basic premise is simple: he improvises on the piano, then talks about what the music tells him. Then makes music about what the talking tells him. Then...well, it goes on like this. Droll, funny, dramatic, musical, short. <a href="https://petersaltzman.substack.com?utm_medium=podcast" rel="noopener noreferrer">petersaltzman.substack.com</a>

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#23: Originality vs. Perfection—Pick Your Poison

#23: Originality vs. Perfection—Pick Your Poison