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From secret bathroom texting all the way to negotiating a divorce in Venice (of all places...), we bring you heart-wrenching tales of lost faith.
In 1991, REM’s Michael Stipe famously sang, “That’s me in the spotlight, losing my religion, trying to keep up with you, and I don’t know if I can do it.” Just over a quarter-century later, we set out to explore what happens when religious couples no longer see eye to eye. Do you follow your heart? Do you tell your partner? And can the package stay intact, despite the tectonic shifts?
The original music in this episode was composed and performed by Ruth Danon, Nili Fink, and Noam Sadan, who also covered songs by Vashti Bunyan and Ruth Dolores Weiss.
This episode was mixed by Sela Waisblum, and recorded at Andrew Yeomanson’s City of Progress Studios. It was produced thanks to the generous support of the JCC Manhattan and the Natan Fund.
Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine.
Stay connected with us on Facebook, Instagram, and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or The Times of Israel.
Hosted on Acast. See acast.com/privacy for more information.
By Israel Story4.8
12001,200 ratings
From secret bathroom texting all the way to negotiating a divorce in Venice (of all places...), we bring you heart-wrenching tales of lost faith.
In 1991, REM’s Michael Stipe famously sang, “That’s me in the spotlight, losing my religion, trying to keep up with you, and I don’t know if I can do it.” Just over a quarter-century later, we set out to explore what happens when religious couples no longer see eye to eye. Do you follow your heart? Do you tell your partner? And can the package stay intact, despite the tectonic shifts?
The original music in this episode was composed and performed by Ruth Danon, Nili Fink, and Noam Sadan, who also covered songs by Vashti Bunyan and Ruth Dolores Weiss.
This episode was mixed by Sela Waisblum, and recorded at Andrew Yeomanson’s City of Progress Studios. It was produced thanks to the generous support of the JCC Manhattan and the Natan Fund.
Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine.
Stay connected with us on Facebook, Instagram, and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or The Times of Israel.
Hosted on Acast. See acast.com/privacy for more information.

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