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One of the most common problems is the high pitches for classical sopranos. They're important but often problematic because they don't have spin and sound/feel tense. Here's how to approach it the right way.
Get my book "MASTER YOUR VOICE: My Personal Approach To More Skill & Depth In Singing - Beyond Perfect Technique": https://amzn.to/2TyjXP1
Get the audiobook: https://www.masteryourvoice.tv/book
Check out my YouTube channel: https://www.youtube.com/freyacaseymusic
Join my free Facebook group "Master Your Voice": https://www.facebook.com/groups/masteryourvoice
Listen to my music on Spotify: https://open.spotify.com/artist/5vklGnfenj1QAGUB3zDgDA
By Freya Casey4.7
6464 ratings
One of the most common problems is the high pitches for classical sopranos. They're important but often problematic because they don't have spin and sound/feel tense. Here's how to approach it the right way.
Get my book "MASTER YOUR VOICE: My Personal Approach To More Skill & Depth In Singing - Beyond Perfect Technique": https://amzn.to/2TyjXP1
Get the audiobook: https://www.masteryourvoice.tv/book
Check out my YouTube channel: https://www.youtube.com/freyacaseymusic
Join my free Facebook group "Master Your Voice": https://www.facebook.com/groups/masteryourvoice
Listen to my music on Spotify: https://open.spotify.com/artist/5vklGnfenj1QAGUB3zDgDA

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