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Tom Mikota has designed special effects on such blockbuster movies as Avatar, King Kong, Tintin etc. But it wasn't until he was shoulder tapped to work on the 360 degree Joseph Smith film on Temple Square that things began to occur to him. After a lifetime of faithful service, he was introduced to the contradictory first vision accounts that he was employed to represent as an employee of the church.
In this interview, we walk through Tom's faith crisis and we confront the question, 'Can I continue in the church without the trappings and social markers of orthodoxy?'
By Open Stories Foundation4.1
271271 ratings
Tom Mikota has designed special effects on such blockbuster movies as Avatar, King Kong, Tintin etc. But it wasn't until he was shoulder tapped to work on the 360 degree Joseph Smith film on Temple Square that things began to occur to him. After a lifetime of faithful service, he was introduced to the contradictory first vision accounts that he was employed to represent as an employee of the church.
In this interview, we walk through Tom's faith crisis and we confront the question, 'Can I continue in the church without the trappings and social markers of orthodoxy?'

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