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With the bus material shot and in the editing room, it's time to knock out SPEED's opening act: a riveting sequence set in an elevator shaft that, by some accounts, was even more dangerous.
By Kris Tapley4.9
7575 ratings
With the bus material shot and in the editing room, it's time to knock out SPEED's opening act: a riveting sequence set in an elevator shaft that, by some accounts, was even more dangerous.

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