Chay discusses how slowness and stillness hides the pain. 
Films mentioned in order: 
L’argent (Robert Bresson, 1983) 
Jeanne Dielman, 23 Commerce Quay, 1080 Brussels (Chantal Akerman, 1975) 
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Chay discusses how slowness and stillness hides the pain. Films mentioned in order: L’argent (Robert Bresson, 1983) Jeanne Dielman, 23 Commerce Quay, 1080 Brussels (Chantal Akerman, 1975) https://dts.podtrac.com/redirect.mp3/s3-eu-west-1.amazonaws.com/creditoffset.wordpress.com/Credit+Offset/27+-L%27argent.mp3

Chay discusses how slowness and stillness hides the pain. 
Films mentioned in order: 
L’argent (Robert Bresson, 1983) 
Jeanne Dielman, 23 Commerce Quay, 1080 Brussels (Chantal Akerman, 1975) 
<a href="https://dts.podtrac.com/redirect.mp3/s3-eu-west-1.amazonaws.com/creditoffset.wordpress.com/Credit+Offset/27+-L%27argent.mp3" rel="noopener noreferrer">https://dts.podtrac.com/redirect.mp3/s3-eu-west-1.amazonaws.com/creditoffset.wordpress.com/Credit+Offset/27+-L%27argent.mp3</a>

27 – L’argent

As the lights come up during the credits Chay Collins turns to you and expresses something they personally found interesting or affecting about the film.

A Podcast by Chay Collins
Logo by Ross Becker http://www.rossbecker.co.uk/

TV & Film

Society & Culture

Arts

Visual Arts

As the lights come up during the credits Chay Collins turns to you and expresses something they personally found interesting or affecting about the film. A Podcast by Chay Collins Logo by Ross Becker http://www.rossbecker.co.uk/

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27 – L’argent

27 – L’argent