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Often I heard the 12 th century be called Hungary’s forgotten century: it is skipped over entirely in public education, and even in my university course, I remember not much being said about it, unless you dug for it yourself. Meanwhile it is an important bridge between what was – Saint István’s kingdom, straddling the place between the feudal west and the imperial east – and what will be: an eventually powerful medieval kingdom. Come, join us as we take stock of this century, the economics, the foreign settlement, and even a shift that will become the driving force behind the internal conflicts of the next century…
Website: historyofthehungarians.com
Facebook: https://www.facebook.com/profile.phpid=61579815072390
Instagram: https://www.instagram.com/historyofthehungarians
Support us at: https://buymeacoffee.com/historyofthehungarians
The song heard in the intro and outro are parts of Johannes Brahms's Hungarian Dances no. 5, performed in G minor, arranged by Martin Schmeling.
By Ferenc HüvösOften I heard the 12 th century be called Hungary’s forgotten century: it is skipped over entirely in public education, and even in my university course, I remember not much being said about it, unless you dug for it yourself. Meanwhile it is an important bridge between what was – Saint István’s kingdom, straddling the place between the feudal west and the imperial east – and what will be: an eventually powerful medieval kingdom. Come, join us as we take stock of this century, the economics, the foreign settlement, and even a shift that will become the driving force behind the internal conflicts of the next century…
Website: historyofthehungarians.com
Facebook: https://www.facebook.com/profile.phpid=61579815072390
Instagram: https://www.instagram.com/historyofthehungarians
Support us at: https://buymeacoffee.com/historyofthehungarians
The song heard in the intro and outro are parts of Johannes Brahms's Hungarian Dances no. 5, performed in G minor, arranged by Martin Schmeling.