Hello listeners! Jess here. 

I had the chance to interview one of my former students, Will Morey, about his career as a writer. He has always been talented, and even way back when I knew him in high school English class (actually, since he was eight) he has dreamed of working in movies and television. We talk through his entire career, from a high school screenplay about vampires to working in professional theater, to helping create (and this was a new word for me) “Mockbusters,” or close-but-not-quite versions of big Hollywood blockbuster films, to working as a “Conform,” (another new word to me) to breaking through and writing animated features such as Spy Kids: Mission Critical and Dragons: Race to the Edge and Dragons: Rescue Riders. He’s currently querying literary agents for a novel he completed this year and in true #AmWriting fashion, we had to talk about how he selected the agents he has decided to reach out to and why. 

At its core, this is a discussion about an education in writing for television and how the “little jobs” are often incredibly valuable as learning experiences in an industry with its own process, language, and expectations. And a walk down memory lane for Jess and Will. 

Links from the Pod

Will Morey on Twitter: willofmars

Will Morey on Instagram: @will_of_mars

#AmReading

We did not do #AmReading because, to be honest, Jess was using her own personal version of Zoom and we’d bumped up against our time limit. 

And—got a burning question about a writing life issue? Something on your mind you’d love for us to help you with? Email us at [email protected]. We can’t promise to answer everyone, but if we think we could be useful to you (or know someone who can) and if your issue is of interest to other listeners, we might invite you to come on the podcast for a little coaching. 

Finally, KJ here with a little news about Author Accelerator’s Book Coach Certification Program. I’m in the middle of it! You might remember this bonus episode, where Jennie Nash and I discussed “Shiny Thing Syndrome” and I was dubious about whether working with other writers as a book coach was a great side gig or a distraction for ME. Since then, I’ve been trying on the coach role in a number of small ways, and I’ve decided to go all in. This program is absolutely everything you need to get started from the editorial, coaching and business perspectives. It’s also entertaining and inspirational and makes me want to leap in right away. Learn more at Bookcoaches.com. (Want to see what I’m doing? Click here.)