Chay discusses choreographed office scenes.
Films mentioned in order: 
Anna Karenina (Joe Wright, 2012) 
Brazil (Terry Gilliam, 1985) 
One, Two, Three (Billy Wilder, 1961) 
The Producers (Susan Stroman, 2005) 
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Chay discusses choreographed office scenes. Films mentioned in order: Anna Karenina (Joe Wright, 2012) Brazil (Terry Gilliam, 1985) One, Two, Three (Billy Wilder, 1961) The Producers (Susan Stroman, 2005) https://dts.podtrac.com/redirect.mp3/s3-eu-west-1.amazonaws.com/creditoffset.wordpress.com/Credit+Offset/30+-+Anna+karenina.mp3

Chay discusses choreographed office scenes.
Films mentioned in order: 
Anna Karenina (Joe Wright, 2012) 
Brazil (Terry Gilliam, 1985) 
One, Two, Three (Billy Wilder, 1961) 
The Producers (Susan Stroman, 2005) 
<a href="https://dts.podtrac.com/redirect.mp3/s3-eu-west-1.amazonaws.com/creditoffset.wordpress.com/Credit+Offset/30+-+Anna+karenina.mp3" rel="noopener noreferrer">https://dts.podtrac.com/redirect.mp3/s3-eu-west-1.amazonaws.com/creditoffset.wordpress.com/Credit+Offset/30+-+Anna+karenina.mp3</a>

30 – Anna Karenina

As the lights come up during the credits Chay Collins turns to you and expresses something they personally found interesting or affecting about the film.

A Podcast by Chay Collins
Logo by Ross Becker http://www.rossbecker.co.uk/

TV & Film

Society & Culture

Arts

Visual Arts

As the lights come up during the credits Chay Collins turns to you and expresses something they personally found interesting or affecting about the film. A Podcast by Chay Collins Logo by Ross Becker http://www.rossbecker.co.uk/

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30 – Anna Karenina

30 – Anna Karenina