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š This week, we're taking a slight detour off-script to explore the uniqueness of the second-person point of view. Driven by a narrative perspective I'm playing with for a new project, I look at why the "you" form is so underutilized, how it creates radical intimacy and immediacy, and the fine line between an immersive experience and a jarring style choice. I also break down a few notable examples before sharing an original scene of my own.
Inside the Episode:
Links & Resources:Ā
ā (Better) Books: Sign up at BooksforMen.org.Ā
š Master Your Craft: AristotleforNovelists.com.Ā
ā”ļø Connect: Instagram @douglasvigliotti | DouglasVigliotti.com.Ā
š„ Featured Episodes: #150 Bright Lights, Big City, #153 Tomorrow, and Tomorrow, and Tomorrow, and #293 The Savage, Noble Death of Babs Dionne.
Life is too short to read sh*tty books. š« Ā
By Douglas Vigliotti4.8
2222 ratings
š This week, we're taking a slight detour off-script to explore the uniqueness of the second-person point of view. Driven by a narrative perspective I'm playing with for a new project, I look at why the "you" form is so underutilized, how it creates radical intimacy and immediacy, and the fine line between an immersive experience and a jarring style choice. I also break down a few notable examples before sharing an original scene of my own.
Inside the Episode:
Links & Resources:Ā
ā (Better) Books: Sign up at BooksforMen.org.Ā
š Master Your Craft: AristotleforNovelists.com.Ā
ā”ļø Connect: Instagram @douglasvigliotti | DouglasVigliotti.com.Ā
š„ Featured Episodes: #150 Bright Lights, Big City, #153 Tomorrow, and Tomorrow, and Tomorrow, and #293 The Savage, Noble Death of Babs Dionne.
Life is too short to read sh*tty books. š« Ā

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