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Episode 33 is our conversation with Dr. Nathan Miller, Assistant Professor at Asbury University, Alto Horn player with High Bridge Brass, the Lexington Brass Band, and Saxton’s Cornet Band, Salvation Army member, and Willson Artist. We talk about the history of the Salvation Army and their musical traditions, brass bands in America independent of British Brass Bands, and larger points about band culture in the United States.
You can now support the show on Patreon and Teespring! No obligation, but we greatly appreciate any support you're willing to give.
For show notes and resources, visit our website at www.eabbpodcast.com. You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from Our Musical Past from the Library of Congress, and High Bridge Brass.
Episode Structure:
2:08 - Dr. Miller’s musical background
14:50 - Salvation Army musical history
19:25 - Why the Salvation Army gravitated toward brass instruments, and how that tradition spread. Dr. Miller’s research
24:50 - Type of music the Salvation Army bands have played
29:12 - Instrument names: Alto Horn vs Tenor Horn
34:07 - Instrumentation and publishing of Salvation Army music
40:30 - Comparing the Salvation Army and Moravian musical traditions
43:18 - Musical excerpt - Shenandoah, High Bridge Brass
44:14 - Origins and forming of High Bridge Brass
50:30 - Discussing band culture in the United States
1:00:28 - Saxton’s Cornet Band
1:06:07 - Asbury University’s planned Brass Band Institute, brass bands as educational tools in smaller rural schools
1:15:42 - Where you can find more about High Bridge Brass, Willson Band Instruments
1:20:10 - Featured Album: High Bridge Brass, self titled album
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3434 ratings
Episode 33 is our conversation with Dr. Nathan Miller, Assistant Professor at Asbury University, Alto Horn player with High Bridge Brass, the Lexington Brass Band, and Saxton’s Cornet Band, Salvation Army member, and Willson Artist. We talk about the history of the Salvation Army and their musical traditions, brass bands in America independent of British Brass Bands, and larger points about band culture in the United States.
You can now support the show on Patreon and Teespring! No obligation, but we greatly appreciate any support you're willing to give.
For show notes and resources, visit our website at www.eabbpodcast.com. You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from Our Musical Past from the Library of Congress, and High Bridge Brass.
Episode Structure:
2:08 - Dr. Miller’s musical background
14:50 - Salvation Army musical history
19:25 - Why the Salvation Army gravitated toward brass instruments, and how that tradition spread. Dr. Miller’s research
24:50 - Type of music the Salvation Army bands have played
29:12 - Instrument names: Alto Horn vs Tenor Horn
34:07 - Instrumentation and publishing of Salvation Army music
40:30 - Comparing the Salvation Army and Moravian musical traditions
43:18 - Musical excerpt - Shenandoah, High Bridge Brass
44:14 - Origins and forming of High Bridge Brass
50:30 - Discussing band culture in the United States
1:00:28 - Saxton’s Cornet Band
1:06:07 - Asbury University’s planned Brass Band Institute, brass bands as educational tools in smaller rural schools
1:15:42 - Where you can find more about High Bridge Brass, Willson Band Instruments
1:20:10 - Featured Album: High Bridge Brass, self titled album