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Solo podcasters often rely too heavily on editing after the fact. We have the luxury of editing out mistakes, but in doing so, we often remove the best parts of the show.
In improv, the most interesting moments are often the "happy accidents"—strange analogies or unexpected confessions that arrive from nowhere. When you bail on these moments to "fix" the recording, you rob the listener of the feeling of discovery. Your audience wants to hear the real you, and that often exists in the unscripted, slightly imperfect moments.
In this micro-episode:
Resources: Find more episodes and subscribe at stereoforest.com/minute.
By Jen deHaanSolo podcasters often rely too heavily on editing after the fact. We have the luxury of editing out mistakes, but in doing so, we often remove the best parts of the show.
In improv, the most interesting moments are often the "happy accidents"—strange analogies or unexpected confessions that arrive from nowhere. When you bail on these moments to "fix" the recording, you rob the listener of the feeling of discovery. Your audience wants to hear the real you, and that often exists in the unscripted, slightly imperfect moments.
In this micro-episode:
Resources: Find more episodes and subscribe at stereoforest.com/minute.