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The Triangle Trade route connected the old world to the new world, sending slaves from west Africa to the Americas, and goods from the Americas back to Europe and even to Africa.
How did it profoundly influence the music and culture of each stop along the way?
Bassist Matt Geraghty and Saxophonist Ze Luis have been traveling to port cities (New Orleans, San Juan, Havana) to find out. It's part of their compelling video series, the 21 Trade Winds project. Both musicians have made names for themselves in the jazz and world music communities, Matt with his personal projects, and Ze as a sideman and producer for notable Brazilian artists like Caetano Veloso and Gilberto Gil.
I was struck by the intensity of the experience, and by the general positivity among musicians. I was particularly curious to talk about what effect the experience has had on Matt and Ze’s lives outside of the project.
Listen on and hear how, as Zé says, “It’s all about NOW and it’s all about US…and living in the present for long enough is like an addiction.”
4.9
167167 ratings
The Triangle Trade route connected the old world to the new world, sending slaves from west Africa to the Americas, and goods from the Americas back to Europe and even to Africa.
How did it profoundly influence the music and culture of each stop along the way?
Bassist Matt Geraghty and Saxophonist Ze Luis have been traveling to port cities (New Orleans, San Juan, Havana) to find out. It's part of their compelling video series, the 21 Trade Winds project. Both musicians have made names for themselves in the jazz and world music communities, Matt with his personal projects, and Ze as a sideman and producer for notable Brazilian artists like Caetano Veloso and Gilberto Gil.
I was struck by the intensity of the experience, and by the general positivity among musicians. I was particularly curious to talk about what effect the experience has had on Matt and Ze’s lives outside of the project.
Listen on and hear how, as Zé says, “It’s all about NOW and it’s all about US…and living in the present for long enough is like an addiction.”
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