Jorge Grau's 1974 moody zombie film is up for discussion this week. We talk how the film is a transitional movie between Romero and Italian splatter pictures, special FX guru Giannetto De Rossi, the crypt sequence, an asshole cop, and the atmospheric English countryside locations. We also discuss the film is a hybrid of Spanish, Italian, and British filmmaking and much more! Let's talk zombies!

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