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We often hear that femme fatales such as Cleopatra, who managed to entrance not one but two Roman generals, was not beautiful. In fact, she was apparently quite homely in her appearance. However, she was powerful, intelligent and well-read - well-positioned to seduce a thinking man such as a scholar, a senator or an emperor.
The sirens in ancient Greek mythology were no supermodels either. In early Greek art, they were represented as birds with large women's heads, bird feathers and scaly feet. Later, they were represented as female figures with the legs of birds, with or without wings, playing a variety of musical instruments. The tenth-century Byzantine encyclopedia Suda says that from their chests up, the sirens were little birds with women's faces.
This episode is also available as a blog post: http://martinifisher.com/2019/03/01/charm-of-the-ancient-enchantress-sirens-and-the-art-of-romance/
By Marianne Rosamund FisherWe often hear that femme fatales such as Cleopatra, who managed to entrance not one but two Roman generals, was not beautiful. In fact, she was apparently quite homely in her appearance. However, she was powerful, intelligent and well-read - well-positioned to seduce a thinking man such as a scholar, a senator or an emperor.
The sirens in ancient Greek mythology were no supermodels either. In early Greek art, they were represented as birds with large women's heads, bird feathers and scaly feet. Later, they were represented as female figures with the legs of birds, with or without wings, playing a variety of musical instruments. The tenth-century Byzantine encyclopedia Suda says that from their chests up, the sirens were little birds with women's faces.
This episode is also available as a blog post: http://martinifisher.com/2019/03/01/charm-of-the-ancient-enchantress-sirens-and-the-art-of-romance/

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