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#496: Shakira - Dónde Están los Ladrones? (1998)
The Abrahams a here with album #496: Donde Estan Los Ladrones by the Colombian superstar Shakira. Abraham (Chenzie) and AbraHAM (Guy) are surprised to discover that before she was the blonde, hip-shaking global icon, Shakira was a "raven-haired guitar rocker" who sounded suspiciously like a Spanish Avril Lavigne.
They dive into the "logic" of the Rolling Stone blurb (if hips can't speak, can they lie?), the story of the stolen suitcase that inspired the album's title, and the unique fusion of Colombian rock and middle eastern grooves. But overall, this episode is just a one big Shakira appreciation session: her songwriting chops, production instincts and that instantly recognizable voice
Is this album a masterpiece of "Rock en Español" or just a collection of Alanis Morissette b-sides? Why are her hands so dirty on the cover? And how does a discussion about vocal techniques spiral into a dark tangent about a Japanese yodeler's potential connection to the Hitler Youth?
In This Episode
About The Abraham Records
Welcome to The Abraham Records, where we cover the 500 “greatest” albums of all time according to Rolling Stone Magazine, but certainly not according to us.
Join us on an odyssey of discovery to determine which albums are truly great and which ones will hurt your face.
By Abraham#496: Shakira - Dónde Están los Ladrones? (1998)
The Abrahams a here with album #496: Donde Estan Los Ladrones by the Colombian superstar Shakira. Abraham (Chenzie) and AbraHAM (Guy) are surprised to discover that before she was the blonde, hip-shaking global icon, Shakira was a "raven-haired guitar rocker" who sounded suspiciously like a Spanish Avril Lavigne.
They dive into the "logic" of the Rolling Stone blurb (if hips can't speak, can they lie?), the story of the stolen suitcase that inspired the album's title, and the unique fusion of Colombian rock and middle eastern grooves. But overall, this episode is just a one big Shakira appreciation session: her songwriting chops, production instincts and that instantly recognizable voice
Is this album a masterpiece of "Rock en Español" or just a collection of Alanis Morissette b-sides? Why are her hands so dirty on the cover? And how does a discussion about vocal techniques spiral into a dark tangent about a Japanese yodeler's potential connection to the Hitler Youth?
In This Episode
About The Abraham Records
Welcome to The Abraham Records, where we cover the 500 “greatest” albums of all time according to Rolling Stone Magazine, but certainly not according to us.
Join us on an odyssey of discovery to determine which albums are truly great and which ones will hurt your face.