In Episode 5 we tackle the different ways artists choose to seamlessly flow between songs on an album and the couple pitfalls that the industry has run into that hurt that effort. Listener Submission by James Falck. We play 'The Opposite Name Game' in the second half, and then talk all about how music is incorporated in Commercials and Advertisements, how it helps, hurts and influences the product that's shows. 

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Songs Used

Chad's Songs: "Only Love" by Ben Howard, "The Supine" by Andrew Bird, "The Pull" and "Prehistoric" by Now, Now

Matt's Songs: "Monkey & Bear" by Joanna Newsom, "Bring the Boys Back Home" and "Comfortably Numb" by Pink Floyd, "Golden Slumbers" and "Carry That Weight" by The Beatles

Parker's Songs: "The Hollow Hour" by Rolo Tomassi, "A Melody A Memory" "Night/Day" "Painless" and "The Ocean" by Mae, "The End of a Dark Campaign" by Oh, Sleeper, "Columns of Time" and "Steel Ecstacy: Columns Collapse" by Ocean Architecture, "Intuition I" and "Intuition II" by The Contortionist

Listener Submissions: "Foam Born (A) The Backtrack" and "(B) The Decade of Statues" by Between the Buried and Me (Submission from James Falck)

Game Songs: "Title Theme" from Donkey Kong Country, "Green Hills Zone" from Sonic 1, "Underground Theme" from Super Mario World (Yoshi/100s Iteration), "Main Theme" from Halo Combat Evolved, "Steam Gardens" from Super Mario Odyssey

All intros/bumpers/outros written and recorded by hosts. Break music spot is instrumental mix of a track by Beautiful Dying Day. "Hard At the Hardees" by Big Wet

Check out our 'sister' podcast "Two Bros Driving" here: https://itunes.apple.com/us/podcast/two-bros-driving/id1349804668?mt=2 or follow their social media @twobrosdriving