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We jump into Double Indemnity, the quick witted and acid tongued 1944 noir classic. What is it about these noir plots and tropes that's so damn fun to watch? Do Walter Neff and Phyllis Dietrichson actually care about each other, or are they simply intoxicated by the prospect of murdering for money? What makes a film a "classic"?
By haventseenitpodWe jump into Double Indemnity, the quick witted and acid tongued 1944 noir classic. What is it about these noir plots and tropes that's so damn fun to watch? Do Walter Neff and Phyllis Dietrichson actually care about each other, or are they simply intoxicated by the prospect of murdering for money? What makes a film a "classic"?