This month’s picks present two, uh, dissimilar responses to evil in the world. In the first, Carol Reed’s classic postwar noir The Third Man, Joseph Cotten and Orson Welles reunite a decade after Citizen Kane to wade into a morass of moral ambiguity from which no one emerges clean. In Sylvester Stallone’s Cannon Films copaganda flick Cobra, all the problems in the world can be solved by a bullet. Also: we debate whether or not Jake Gyllenhaal looks weird.