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55. Should pornography be authentic? With Rosa Vince
Content note: This episode discusses pornography in an academic context, focusing on ethical and philosophical arguments.
Feminist critiques of pornography have a long history and take many different forms. One influential line of critique focuses on claims about authenticity and the suggestion that certain forms of representation may be ethically problematic, particularly for women. In response, some producers and commentators have argued for the value of ‘authentic’ pornography, appealing to a mixture of ethical and aesthetic considerations and sometimes blurring the distinction between the two.
In this episode, Rosa Vince, a philosopher based at IDEA, The Ethics Centre at the University of Leeds, examines these arguments and explains why they find the ethical case for authenticity in pornography unconvincing. The discussion explores questions about representation, discrimination and harm.
Some further reading recommended by Rosa:
- Willis, Ellen. 2014. “Feminism Moralism and Pornography.” In The Essential Ellen Willis, edited by Nona Willis Aronowitz, 94–101. University Of Minnesota Press.
- Taormino, Tristan. 2013. “Calling the Shots: Feminist Porn in Theory and Practice” in The Feminist Porn Book: The Politics of Producing Pleasure edited by Tristan Taormino, Celine Parreñas Shimizu, Constance Penley, Mireille Miller-Young. The Feminist Press
- Rooster, Hello. 2021. “From Victim to Activist: The Road to Ethical Porn” in We Too: Essays on Sex Work and Survival, edited by Natalie West with Tina Horn. Feminist Press. 148–154.
- Mac, Juno, Hello Rooster, Misha Mayfair, and Lina Bembe. 2019. “Aesthetics vs Ethics: Expanding Definitions of Feminist Porn.” In A Decriminalised Future: Sex Workers’ Festival of Resistance. Recording available at: https://decriminalisedfutures.org/aesthetics-vs-ethics-expanding-definitions-of-feminist-porn
- Macleod, P J. 2021.“How feminists pick porn: Troubling the link between ‘authenticity’ and production ethics” in Sexualities Volume 24, Issue 4.
- Gallant, Chanelle. 2017. “Why I Started The Feminist Porn Awards 10 Years Ago” Huffpost. Available at: https://www.huffpost.com/entry/why-i-started-the-feminist-porn-awards-ten-years-ago_b_587559afe4b0f8a725448343
- Crutcher, Emily E. 2015. ““She’s Totally Faking it!”: The Politics of Authentic Female Pleasure in Pornography” in New Views on Pornography: Sexuality, Politics, and the Law ed. Lynn Comella and Shira Tarrant. Praeger. Pp.319-334
- Berg, Heather. “Porn Work, Feminist Critique, and the Market for Authenticity.” Signs, Spring 2017, Vol. 42, No. 3 (Spring 2017), pp. 669-692
Ethics Untangled is produced by IDEA, The Ethics Centre at the University of Leeds.
Bluesky: @ethicsuntangled.bsky.social
Facebook: https://www.facebook.com/ideacetl
LinkedIn: https://www.linkedin.com/company/idea-ethics-centre/
View all episodes
By Jim BaxterContent note: This episode discusses pornography in an academic context, focusing on ethical and philosophical arguments.
Feminist critiques of pornography have a long history and take many different forms. One influential line of critique focuses on claims about authenticity and the suggestion that certain forms of representation may be ethically problematic, particularly for women. In response, some producers and commentators have argued for the value of ‘authentic’ pornography, appealing to a mixture of ethical and aesthetic considerations and sometimes blurring the distinction between the two.
In this episode, Rosa Vince, a philosopher based at IDEA, The Ethics Centre at the University of Leeds, examines these arguments and explains why they find the ethical case for authenticity in pornography unconvincing. The discussion explores questions about representation, discrimination and harm.
Some further reading recommended by Rosa:
- Willis, Ellen. 2014. “Feminism Moralism and Pornography.” In The Essential Ellen Willis, edited by Nona Willis Aronowitz, 94–101. University Of Minnesota Press.
- Taormino, Tristan. 2013. “Calling the Shots: Feminist Porn in Theory and Practice” in The Feminist Porn Book: The Politics of Producing Pleasure edited by Tristan Taormino, Celine Parreñas Shimizu, Constance Penley, Mireille Miller-Young. The Feminist Press
- Rooster, Hello. 2021. “From Victim to Activist: The Road to Ethical Porn” in We Too: Essays on Sex Work and Survival, edited by Natalie West with Tina Horn. Feminist Press. 148–154.
- Mac, Juno, Hello Rooster, Misha Mayfair, and Lina Bembe. 2019. “Aesthetics vs Ethics: Expanding Definitions of Feminist Porn.” In A Decriminalised Future: Sex Workers’ Festival of Resistance. Recording available at: https://decriminalisedfutures.org/aesthetics-vs-ethics-expanding-definitions-of-feminist-porn
- Macleod, P J. 2021.“How feminists pick porn: Troubling the link between ‘authenticity’ and production ethics” in Sexualities Volume 24, Issue 4.
- Gallant, Chanelle. 2017. “Why I Started The Feminist Porn Awards 10 Years Ago” Huffpost. Available at: https://www.huffpost.com/entry/why-i-started-the-feminist-porn-awards-ten-years-ago_b_587559afe4b0f8a725448343
- Crutcher, Emily E. 2015. ““She’s Totally Faking it!”: The Politics of Authentic Female Pleasure in Pornography” in New Views on Pornography: Sexuality, Politics, and the Law ed. Lynn Comella and Shira Tarrant. Praeger. Pp.319-334
- Berg, Heather. “Porn Work, Feminist Critique, and the Market for Authenticity.” Signs, Spring 2017, Vol. 42, No. 3 (Spring 2017), pp. 669-692
Ethics Untangled is produced by IDEA, The Ethics Centre at the University of Leeds.
Bluesky: @ethicsuntangled.bsky.social
Facebook: https://www.facebook.com/ideacetl
LinkedIn: https://www.linkedin.com/company/idea-ethics-centre/