Welcome to the world of teenage espionage. In episode #58 we meet VFX Supervisor Jim Parsons and CG Supervisor James Sutton, discussing Amazon’s teen spy series "Alex Rider" and the various visual effects Goodbye Kansas Studios created for season one and two, including a “killer drone” and a bunch of dead Aztec warriors.

Also: how does Ray Harryhausen inspire modern VFX, is Hitchcock’s “The Lady Vanishes” the best spy movie ever and why on earth did Ken Russel get to direct Michael Caines third outing as Harry Palmer?