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61. Spoiler Review: One Battle After Another (2025)
The latest episode and final episode of 2025 of Sound Speed Action is live, and what a way to end the year. One Battle After Another caps off an incredible run of movies and stands as our clear favorite of the year. What a film.
Marc and I break down this ambitious, unsettling, and often darkly funny work from director Paul Thomas Anderson, and the more we talk about it, the more impressive it becomes. This is one of those rare movies that genuinely gets better with repeat viewings.
The performances across the board are phenomenal. Leonardo DiCaprio delivers a fascinating, off-balance turn. Chase Infinity, in her first film role, is an absolute revelation. Teyana Taylor is terrific, and Sean Penn is unforgettable as the antagonist Lockjaw, a performance that feels destined to dominate awards season. Benicio del Toro appears briefly as Sensei and somehow steals every moment he’s in. Regina Hall continues to prove we need far more movies built around her. Tony Goldwyn is deeply unsettling, playing once again against typecasting he somehow always elevates. And James Ratterman, a real former Homeland Security official, is genuinely chilling in a role that feels uncomfortably authentic.
The score, composed by Jonny Greenwood, marks his sixth collaboration with Anderson, and it is astonishing. The music doesn’t just support the film, it drives it, becoming a constant, pulsing engine that keeps everything in motion.
Loosely inspired by Vineland, the film takes a single thread from the novel and spins it into something entirely its own. It’s timely, disturbing, sharply funny, and deeply confident. With an estimated budget between $130 and $170 million, this is a movie that likely never made financial sense on paper. Its existence feels like a small miracle, and a reminder that there are still producers and executives willing to back original, risky storytelling simply because it’s worth making.
One Battle After Another is now playing in theaters and is also available to rent on demand and stream on HBO. That said, if you can see this in a theater, do it. You will not regret it.
Thanks for listening. This marks our final episode of 2025. Sound Speed Action will be back soon. See you at the movies.
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By Sohrab Amid-HozourThe latest episode and final episode of 2025 of Sound Speed Action is live, and what a way to end the year. One Battle After Another caps off an incredible run of movies and stands as our clear favorite of the year. What a film.
Marc and I break down this ambitious, unsettling, and often darkly funny work from director Paul Thomas Anderson, and the more we talk about it, the more impressive it becomes. This is one of those rare movies that genuinely gets better with repeat viewings.
The performances across the board are phenomenal. Leonardo DiCaprio delivers a fascinating, off-balance turn. Chase Infinity, in her first film role, is an absolute revelation. Teyana Taylor is terrific, and Sean Penn is unforgettable as the antagonist Lockjaw, a performance that feels destined to dominate awards season. Benicio del Toro appears briefly as Sensei and somehow steals every moment he’s in. Regina Hall continues to prove we need far more movies built around her. Tony Goldwyn is deeply unsettling, playing once again against typecasting he somehow always elevates. And James Ratterman, a real former Homeland Security official, is genuinely chilling in a role that feels uncomfortably authentic.
The score, composed by Jonny Greenwood, marks his sixth collaboration with Anderson, and it is astonishing. The music doesn’t just support the film, it drives it, becoming a constant, pulsing engine that keeps everything in motion.
Loosely inspired by Vineland, the film takes a single thread from the novel and spins it into something entirely its own. It’s timely, disturbing, sharply funny, and deeply confident. With an estimated budget between $130 and $170 million, this is a movie that likely never made financial sense on paper. Its existence feels like a small miracle, and a reminder that there are still producers and executives willing to back original, risky storytelling simply because it’s worth making.
One Battle After Another is now playing in theaters and is also available to rent on demand and stream on HBO. That said, if you can see this in a theater, do it. You will not regret it.
Thanks for listening. This marks our final episode of 2025. Sound Speed Action will be back soon. See you at the movies.