The Creative Gap

#65 - Frank Mobilio - Cinematography, Music Videos to Feature Films & Persistence


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In this episode, Carlo sits down with cinematographer Frank for an in-depth conversation about his journey through the film industry. Frank shares how his path into filmmaking was unconventional—he didn’t grow up with a background in film, nor did he have a clear sense of the industry when he began. His entry came through school and a growing curiosity, eventually leading him to pursue cinematography with a deep passion. He moved to Los Angeles during a recession, taking on low-paying or free gigs and even sleeping on a couch just to be close to opportunities and grow within the craft.Throughout the interview, Frank reflects on the range of work he's done, from music videos to commercials to narrative films. He’s worked with high-profile artists like Beyoncé and Harry Styles, but admits he still gets nervous on set, showing a genuine humility and love for the process. For Frank, the act of shooting—regardless of scale or budget—is where he feels most at home. He talks about the importance of creative relationships, especially with directors he’s grown with over the years, emphasizing that long-term collaborations often yield the most rewarding results.Carlo also dives into Frank’s recent work on Arcadian, a feature film starring Nicolas Cage that premiered at SXSW. Frank shares the challenges of shooting internationally, working with new crews, and the thoughtful collaboration required between departments like production design and cinematography. He explains how working within limitations—whether on location or on a stage—can often inspire more grounded and cohesive visual storytelling.To close, Carlo asks what advice Frank would give to his younger self. Frank responds with encouragement to be persistent, resourceful, and willing to take risks without expecting immediate payoff. His story is a testament to passion, patience, and the kind of quiet determination that turns dreamers into working filmmakers

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The Creative GapBy Gian Carlo Stigliano

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