Curator Ann Shafer revisits the set of six progress proofs and the final engraving of No Man's Land, 2004, by James Siena. You can imagine that print curators love this kind of object because of its ability to show very clearly how the image was constructed.

Curator Ann Shafer revisits the set of six progress proofs and the final engraving of No Man's Land, 2004, by James Siena. You can imagine that print curators love this kind of object because of its ability to show very clearly how the image was constructed.

Curator Ann Shafer revisits the set of six progress proofs and the final engraving of No Man's Land, 2004, by James Siena. You can imagine that print curators love this kind of object because of its ability to show very clearly how the image was constructed.&nbsp;

7 James Siena

Ann Shafer talks about favorite prints, drawings, and photographs acquired for the Baltimore Museum of Art,  including how she would present it to a museum for acquisition.

Arts

History

Visual Arts

Ann Shafer talks about favorite prints, drawings, and photographs acquired for the Baltimore Museum of Art, including how she would present it to a museum for acquisition.

Share 7 James Siena

Sign up to save your podcasts

7 James Siena

7 James Siena