Today I begin to address the questions and comments – first with Markus’ question about playing longer lines that aren’t restricted by the underlying chord structure<a href="https://www.openstudionetwork.com/project/peter-martin/">OpenStudioNetwork.com</a> See <a rel="noopener noreferrer" href="https://acast.com/privacy">acast.com/privacy</a> for privacy and opt-out information.

Today I begin to address the questions and comments – first with Markus’ question about playing longer lines that aren’t restricted by the underlying chord structure OpenStudioNetwork.com See acast.com/privacy for privacy and opt-out information.

Today I begin to address the questions and comments – first with Markus’ question about playing longer lines that aren’t restricted by the underlying chord structure<a href="https://www.openstudionetwork.com/project/peter-martin/" rel="noopener noreferrer">OpenStudioNetwork.com</a> See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for privacy and opt-out information.

#7: Playing over the Bar Lines

Acclaimed jazz pianist Peter Martin and other Open Studio artists break it down in 2 minutes. Learn the many techniques you need to know to play interesting and inspired jazz music. A podcast from Open Studio.

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#7: Playing over the Bar Lines

#7: Playing over the Bar Lines