When it comes to post-sound era physical comedy, Jaques Tati's character Monsieur Hulot is an inspiration that still resounds today. Alex and Jonathan take a look at the complex scenarios created in Monsieur Hulot's Holiday (1953), Playtime (1967), and Trafic (1971). We talk about traits of the Hulot character, how Tati built a miniature city, and how he is able to convey specific gags in complexly choreographed wide shots.

Skip to:

7:04 – Monsieur Hulot's Holiday

22:25 – Playtime

42:49 – Trafic

57:34 – Overall

1:08:46 – Coming Attractions

Coming Attractions:

The Maltese Falcon (1941)

Double Indemnity (1944)

Touch of Evil (1958)

For more information, visit the blog:

thefilmlings.wordpress.com/2018/10/02/tricky-tati